When I paint I care about the broad landscape in a moment of its appearance, my work presents an exuberant and vital world with an amplified color palette and gestures that go out of the screen.  There the world softens and the container fails, in that humidity the world sprouts and widens, we feel the slumber of light, the wrappings become unstable, the fruits burst and nothing is at rest to the point that everything can begin to be something else.

In ceramics, weaving or objects my artistic practice arises from more abstract concepts such as scarcity-abundance, hindering-changing the sequence, putting together a route that ends in theft, forgetting something or annulling the function; these autonomous criteria give rise to works formed by several elements in the manner of a visual poetry or are stories of actions as if the works were sewn together like constellations.